This is part of a cascade of effects that shows everyone for who they really are, and allows two or more other relationships to correctly form.
Hero and Heroine are destined to get together, but a dark force is preventing them from doing so the story conspires to make the dark force repent, and suddenly the Hero and Heroine are free to get together. I’m unsure how comedy and romance became conflated, but in examining The Seven Basic Plots, that is how it’s described. The Winter’s Tale has a tragic/dramatic beginning and a comedic end, comedy, in cases like this, meaning there’s a happily resolved romance, as opposed to his more famous Romeo and Juliet, which while possessing a romantic element (if you want to call it that…), is generally classified a tragedy. Boring), I decided to use a festive piece. The cover I used above is not the cover of the version I read, but since that one is boring (it’s just the play’s title and the Bard’s name on white a green.
The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione. The second half is a pastoral comedy with the “lost” daughter Perdita having been rescued by shepherds and now in love with a young prince. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. One of Shakespeare’s later plays, best described as a tragic-comedy, the play falls into two distinct parts. Genre: Drama, Tragedy, Comedy/Romance Classic